Still today the stereotypical image of a witch is that of an ugly old hag wearing a broad brimmed, tall, black pointed hat.  But where did the hat originate?

In medieval times, woodcut images of witches show them as wearing a verity of costumes associated with those times, including headscarves and hats of differing fashions.  Many are also shown bareheaded with their hair locks blowing in the wind.

Is it possible that the witches hat is an exaggeration of the tall conical ‘dunce’s hat’, popular in the royal courts during the 15^th century, or the blunt-topped hats worn by the Puritans and Welsh of the same period?  At one point long ago, pointed hats were a fashion icon in the city of London (then the fashion capital of Europe), but it took a long time for fashion to trickle into the country, and by the time they did, they became way out of fashion in the city.  City folk called country folk ‘pagani’ (which means country dweller), much the same as calling someone a ‘hick’ today.

Pointed hats soon became considered something only the ‘pagani’ would wear, most were herbalists and farmers wife’s who lived in the country and understood the land.  Since they were wise to the ways of nature and could grow and harvest herbs, so the pointed hat became associated with the ‘wise woman’ or ‘witch’.  During this same period, the Christian church chipped in and associated pointed hats with the horns of the devil, by which time they frowned upon their use.

Brimless, conical hats have long been associated with male wizards and magicians, Goya the famous artist painted witches wearing such hats.  It is possible that other artists somewhere along the way added the brim to make the hats more appropriate for women.  By Victorian times, the tall, black, conical hat worn by an old crone became readily identifiable as symbols of wickedness in illustrations of children’s stories and fairy tales.

Another possibility is that the witch’s hat may date back to antiquity.  Ancient Etruscan coins from the city of Luna depict a head on one side of the coin; some believe it to be the goddess Diana, who is associated with witches.  The head on the coin depicts the wearer with a brimless, conical hat.

Today most contemporary witches go bareheaded or wear ritual headgear such as headbands with a crescent moon or other religious symbols on it.  Normally the symbol is positioned on the forehead.  During rituals in which the Goddess and Horned God are represented, the high priestess may wear a headband or a crown, while the high priest may wear a helmet with horns or antlers.

by George Knowles

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Do you see a certain sequence of numbers regularly?  Yes?  You’re not alone!  If your experiences are anything like mine, we’re talking every single day, sometimes more than once a day, and been going on for years now – thankfully, with break periods in between!

What the?

Why are we seeing it all the time?  What does it all mean?  Are we the ‘chosen ones’?  Is it a co-incidence?  Is it a call for spiritual awakening?  Does it always seem to tie in with other synchronicities that are happening in your life at the time?

According to Doreen Virtue, these number sequences are signs and messages from angels, our guardian angels.  Others say that seeing 11:11 has something to do with 21/12/2012, the end of the world as we know it according to the Mayan calendar.  Did you notice that the numbers in the date all add up to 11??

Mystical Parties has two fantastic books on this subject.  One is called Angel Numbers 101 by Doreen Virtue.  If you see a variety of number sequences regularly, this book explains them all.  If you only ever really see 11:11, our book called 11:11 The Time Prompt Phenomenon is definitley the one for you.

Get your copies now, and more, at the Mystical Parties Online Shop.

For a 10% DISCOUNT on these books for the month of June, and hey why not off your entire order(!), type BLOG11 into the promotion code box during checkout and your saving will automatically be deducted.

Finding the answers you seek is easy as with Mystical Parties!

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From blowing dandelion seeds into the air to throwing a penny into a fountain, we have all felt inspired to make a wish, to whisper our secret desires into the ears of the universe and wait for signs that we have been heard.

Some wishes come true while others remain ethereal visions that either stay with us or fade like a star in the light of morning.  Whether they come true or not, wishes are important missives, expressing our heart’s desire as well as our intention to create something new in our lives.

When we wish for something, our consciousness opens to receiving it, like a flower unfolding its petals to receive a bee.

There is something innocent and magical about making a wish, something that recalls the energy of childhood.  Wishing is not about formulating a plan and following it step by step to attain a goal, which is the realm of adulthood.  Wishing is more like a playful volley across the universe, an invitation to play.  Waiting for the response is an integral part of the process.  Wishing inspires an innocent opening to the possibility of magic as we wait to see if the invisible realm will bring our wish to life.  This opening is a beautiful gesture in and of itself, regardless of the outcome.  We place ourselves in a magical mind, and this mind is arguably as wonderful as the fulfilment of our wish itself.

In our straightforward, action-oriented society, we may tend to dismiss the power of this seemingly passive process, yet the power of a wish is well known, hence the cautionary phrase, “Be careful what you wish for.”  If you have given up wishing in favour of more adult pursuits, you might want to bring its magic back into your life.

The next time you see the first star of the evening, or find yourself in front of a birthday cake covered in flaming candles, give yourself the gift of the magical realm that you knew so well as a child – close your eyes, open your mind, and make your wish …

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